By Roger Mathew Grant
During the lengthy eighteenth century, treatises on matters similar to aesthetics, tune conception, arithmetic, and traditional philosophy started to replicate an realizing of time as an absolute volume, autonomous of occasions. This sluggish yet conclusive swap had a profound influence at the community of rules connecting time, meter, personality, and pace. Investigating the affects of this modification, provide explores the timekeeping ideas - musical and in a different way - that applied this conceptual shift, either technologically and materially.
Bringing jointly varied strands of suggestion in a broader highbrow historical past of temporality, Grant's learn fills an unforeseen but conspicuous hole within the historical past of tune idea, and is vital analyzing for tune theorists and composers in addition to old musicologists and practitioners of traditionally expert performance.
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Extra info for Beating Time and Measuring Music in the Early Modern Era (Oxford Studies in Music Theory)
Beating Time and Measuring Music in the Early Modern Era (Oxford Studies in Music Theory) by Roger Mathew Grant