By Chiara Minestrelli
This booklet investigates the discursive and performative ideas hired through Australian Indigenous rappers to make feel of the realm and determine a place of authority over their identification and position in society. targeting the aesthetics, the language, and the performativity of Hip Hop, this publication will pay recognition to the existence stance, the philosophy, and the religious ideals of Australian Indigenous Hip Hop artists as ‘glocal’ manufacturers and shoppers. With Hip Hop as its major aspect of study, the writer investigates, interrogates, and demanding situations different types and preconceived principles concerning the severe notions of authenticity, ‘Indigenous’ and dominant values, non secular practices, and political activism. preserving the emphasis at the value of adopting decolonizing examine recommendations, the writer utilises qualitative and ethnographic tools of knowledge assortment, akin to semi-structured interviews, casual conversations, player commentary, and fieldwork notes. Collaborators and individuals make clear the various dynamics underlying their musical judgements and their view inside of discussions on representations of ‘Indigenous id and politics’. the Indigenous rappers’ neighborhood and international aspirations, this learn indicates that, by means of counteracting hegemonic narratives via their precise tales, Indigenous rappers have utilised Hip Hop as an expressive ability to empower themselves and their audiences, entertain, and revive their Elders’ tradition in ways in which are contextual to the society they dwell in.
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Extra info for Australian Indigenous Hip Hop: The Politics of Culture, Identity, and Spirituality (Routledge Studies in Hip Hop and Religion)
Australian Indigenous Hip Hop: The Politics of Culture, Identity, and Spirituality (Routledge Studies in Hip Hop and Religion) by Chiara Minestrelli